Slow Clap’s 2023 Year in Review: A Year in the Fast Lane

As Slow Clap wraps up its first decade in business (we turned nine this past summer,) we look back and reflect on all the amazing things we’ve learned, and just how much things have changed… and how fast! Take a look at our year condensed into one minute:
 

2023 by the Numbers

Speaking of AI, we had yet another huge project for AI startup Imbue to announce their $200MM fundraising round, and to help with their hypergrowth hiring spree. You can see the Imbue brand story video we made here. It’s a really interesting blend of documentary storytelling and hand-drawn illustrations, animated to bring the CEO’s anecdotes to life.

August 2023


We had another blowout party for Slow Clap’s ninth birthday party in August. This is our favorite night of the year, as we get to celebrate all the big wins that we rarely have time to celebrate as they’re happening (on to the next deadline!) with our team, clients, and collaborators. 

We also welcomed Kiante Marron to the team as a camera and post-production assistant. Kiante’s Gen Z, everything-is-content mindset has been a great refresh to our creaky old Millennial brains!


September 2023


In September, our producer Katy went on maternity leave (more about that next year!), and we welcomed a new producer to the team, Sarah Nathan. Similar to Katy, Sarah brings a documentary and journalist eye to Slow Clap’s body of work, having formerly worked at AJ+, ESPN, as well as Washington State University.

Our team traveled to Orange County to produce this customer story video for a new client,  InterPayments, as well as another virtual event video for our longtime client, Ironclad, in Dallas,TX.


October 2023


In October, we were thrilled to receive the Fast 100 award from the San Francisco Business Times, as one of the 100 fastest growing private companies in the San Francisco Bay Area. And on top of that, we were ranked #23.

We also continued our longtime partnership with the nonprofit Asian Law Caucus, producing three videos for their 2023 gala. We’ve produced these stories for ALC every year since our founding.


November 2023

In November, we produced multiple equity training modules for our partners at The National Equity Project (NEP). We’re happy to continuously support this non-profit and to create content that educates and supports DEIB work in the community. The Slow Clap team had a great 4-day shoot at the NEP office in downtown Oakland and the collaboration was seamless.

On a side note, we got another Slow Clap baby on the way! Our founder, Dan, left for paternity leave in mid-November. Wish him congratulations on his baby girl!


December 2023


Wrapping up this year, we were all hands on deck (or all legos on deck) for our Slow Clap holiday card video. We couldn’t resist the opportunity to live our childhood LEGO® dreams. When it came time to decide on a theme for our annual card, we were inspired by 90’s toy commercials. As it was also our first take on stop-motion animation, we were glad to have Kiante lead the way. Check it out here if you haven’t already.

Looking ahead to 2024, we’re excited to take on new adventures with our amazing team and partners.

Cheers,

The Slow Clap Team

  • 59 video projects completed for our clients, from product launches to client success stories to brand stories and branded content
  • 14 clients, including cause-based non-profits like Asian Law Caucus, startups like Imbue and The Yield, and Fortune 500 companies like eBay and Apple
  • 23rd fastest-growing company in the Bay Area, according to the SF Business Times’ Fast 100 list
  • 10+ different cities filmed including New York, Dallas, Los Angeles, San Diego, Sacramento, and (of course) San Francisco & Oakland 
  • 100+ videos delivered; from long-form virtual event videos to 15-second social media videos
  • 100% NPS (net promoter score) on Clutch
  • 9 Industry Awards
  • 2 new team members
  • 2 Slow Clap babies
  • 1 virtual production shot on an LED volume

2023 by Month

January 2023


We got 2023 started on a light note, making a series of social media video skits for startup Ironclad. The videos were produced in a DIY style to feel more like organic social content, and featured the lawyer influencer (yes, those exist,) Alex Su making fun of all things business contracts.


February 2023

2023 was year nine of our continuing relationship with healthcare insurance company Blue Shield of California. One highlight was continuing our series of ERG (employee resource group) video profiles. In each mini-documentary, we tell the powerful stories of employees who have gone through their careers facing adversity because of who they are. In February, we filmed interviews for the Black Employee Network, Elevating Women, and the Unidos (Latinx) ERG. All videos have since been released. 


March 2023

In March, the Slow Clap team learned about the fascinating world of low and moderate income housing development and lending as we produced a video about the Golden State Acquisition Fund (aka GSAF). GSAF is an innovative fund created by the State of California and administered by Low Income Investment Fund (aka LIIF) that, to date, has been responsible for more than 10,000 new units of affordable housing.


April 2023


In April 2023, we got a repeat of April 2022. We love when our clients come back for more, and the San Francisco Treasurer did just that when we produced this video about the Kindergarten to College (K2C) program’s success. It gives us a chance to be part of something bigger, something that affects our community. This video features four students in San Francisco schools that have taken advantage of the program to save for college throughout their entire schooling, starting in Kindergarten.


May 2023


Slow Clap produced a fully-virtual production from start to finish for the first time. For those who don’t know, a “virtual production” is a new technique of producing video content that was first developed by Industrial Light and Magic for The Mandalorian. In May, we wrapped and delivered this product launch video for Mindful.

Mindful was releasing an entirely new UI for their product, with design that was accessible and “kind by design.” And to announce it, they reached out to us to build an entire virtual world from scratch. We built the world in Unreal Engine, rigged it on the large volume LED wall with Disguise, and used active camera tracking to bring the whole thing to life. This is a technology that will become standard industry practice in the near future, and the Slow Clap team is so excited to get to be on the bleeding edge of it. Check out a behind-the-scenes video about the making of this.


June 2023


2023 was the year of AI… from ChatGPT to labor strikes to deep fakes to AI Drake songs. 2023 was the year of AI for Slow Clap as well. We adopted some amazing AI tools like Descript for our workflow, and we got to produce video projects for some leading AI companies, like Sana, a leader in the TechEd space. Here, you can see Sana’s CEO talking with the CEO of Nvidia, which is now the sixth-largest company in the world due to its all-in play on AI hardware.


July 2023

Speaking of AI, we had yet another huge project for AI startup Imbue to announce their $200MM fundraising round, and to help with their hypergrowth hiring spree. You can see the Imbue brand story video we made here. It’s a really interesting blend of documentary storytelling and hand-drawn illustrations, animated to bring the CEO’s anecdotes to life.

August 2023


We had another blowout party for Slow Clap’s ninth birthday party in August. This is our favorite night of the year, as we get to celebrate all the big wins that we rarely have time to celebrate as they’re happening (on to the next deadline!) with our team, clients, and collaborators. 

We also welcomed Kiante Marron to the team as a camera and post-production assistant. Kiante’s Gen Z, everything-is-content mindset has been a great refresh to our creaky old Millennial brains!


September 2023


In September, our producer Katy went on maternity leave (more about that next year!), and we welcomed a new producer to the team, Sarah Nathan. Similar to Katy, Sarah brings a documentary and journalist eye to Slow Clap’s body of work, having formerly worked at AJ+, ESPN, as well as Washington State University.

Our team traveled to Orange County to produce this customer story video for a new client,  InterPayments, as well as another virtual event video for our longtime client, Ironclad, in Dallas,TX.


October 2023


In October, we were thrilled to receive the Fast 100 award from the San Francisco Business Times, as one of the 100 fastest growing private companies in the San Francisco Bay Area. And on top of that, we were ranked #23.

We also continued our longtime partnership with the nonprofit Asian Law Caucus, producing three videos for their 2023 gala. We’ve produced these stories for ALC every year since our founding.


November 2023

In November, we produced multiple equity training modules for our partners at The National Equity Project (NEP). We’re happy to continuously support this non-profit and to create content that educates and supports DEIB work in the community. The Slow Clap team had a great 4-day shoot at the NEP office in downtown Oakland and the collaboration was seamless.

On a side note, we got another Slow Clap baby on the way! Our founder, Dan, left for paternity leave in mid-November. Wish him congratulations on his baby girl!


December 2023


Wrapping up this year, we were all hands on deck (or all legos on deck) for our Slow Clap holiday card video. We couldn’t resist the opportunity to live our childhood LEGO® dreams. When it came time to decide on a theme for our annual card, we were inspired by 90’s toy commercials. As it was also our first take on stop-motion animation, we were glad to have Kiante lead the way. Check it out here if you haven’t already.

Looking ahead to 2024, we’re excited to take on new adventures with our amazing team and partners.

Cheers,

The Slow Clap Team

Meet Slow Clap’s Founder & Creative Director: Dan Lichtenberg

Get to know Dan a bit better with our quick Q&A interview.

Introduce yourself!

Hi, I’m Dan, and I’m the founder and creative director of Slow Clap.

What’s your role? What made you gravitate towards this craft?

I wear a lot of hats. Which I think is a theme of my career. I like to consider myself a “generalist” (as opposed to a “specialist”) and I also always tell the team that they too should think of themselves as generalists (albeit, with one or two specialties where they hold deep knowledge).

I suppose my formal roles are Executive Producer and Creative Director. I love overseeing the creative process, and guiding a group of creative folks to create something amazing. But I also love the logistics and budgetary side of things. In our field, these problem-solving tasks are sometimes just as creative as the “creative” side of things!

What’s your prior experience? What made you interested in founding Slow Clap as a company?

My “craft” background is in editing and post-production. Which I think is a good foundational skill set to have in video, in terms of storytelling and understanding what’s possible. But what editing doesn’t teach you is how to effectively communicate and collaborate with a diverse group of stakeholders and partners to bring a vision to life. I guess what led me out of editing and into the world of production was the constant thought in my head of “why didn’t they get this shot?” and “what on earth were they thinking?” And can I tell you, after a decade in production, I feel a lot more humble about it. Nothing ever goes as planned on set, and it’s always easier in hindsight. Which… again… is part of the fun of production! If you can’t handle uncertainty, don’t bother applying.  

Jumping into production was one thing. Founding a company was a whole nother thing. Slow Clap started as a side project with my friend Katy Montgomery. We made a few short films and passion projects. Then I decided to leave my job and try to do Slow Clap as a real business thing.

At my old company, which was also a boutique production company like Slow Clap, we made lots of videos for tech companies, also like Slow Clap. But the work we made tended to be a bit more geared towards lucrative projects. Which, don’t get me wrong, is great, and smart business. But I wanted more out of my job. I wanted to feel like the work I was producing was making an impact, and I wanted the opportunity to tell stories that otherwise might not be told. So with Slow Clap, we’ve made it a priority since day one to always work with nonprofit clients at below-market rates (and, depending on our calendars, often well below market rates). You can see many of the videos we’ve made for Asian Law Caucus, SFILEN, the San Francisco Foundation, Artsy, and more to see some of our cause-based projects.

To me, the amazing part about getting to tell these stories is not just being able to contribute to social justice causes, or telling amazing, creative stories. It’s getting to see my team in action, working on these videos, and being so proud of these projects after we complete them. That is what Slow Clap is all about, coming together around a joint cause. And, yeah, also, making some lucrative tech videos to make sure we stay afloat!

Favorite Film? What am I watching?

I’m not really one for favorites. I tend to think something is good, bad, or really good. 

Recently, I’ve seen examples of all three. Good: Black Bird. Bad: Everything’s Trash. Really Good: Luce. Oh, and actually recently I watched something really bad: You People. Lauren London needs to quit acting. Jonah Hill needs to reassess what the hell he’s doing with his life.

Any Hobbies?

My hobbies for the last eight years have mostly just been my business… Before that, I wrote a lot. I even have a book of poetry published, as well as some poems and short stories in various journals.

These days, I’ve been getting back into tennis, which is great!

But mostly, I just enjoy hanging out with my wife, Rahel, and two dogs, Salty and Peppa.

Lastly, favorite project you’ve worked on?

I’ve been part of pretty much every Slow Clap project for the past eight years, and there’s too many to pick just one.

I will point to a few that I think best summarizes and achieves what I think we do best at Slow Clap, which is to tell authentic stories for brands and causes in a way that entertains and elicits an emotional response.

GitHub Future Builders – Optikey: This was part of a multi-video series about “Future Builders” we produced for GitHub. It documents some of the folks who are “building the future” using GitHub. I think these videos really were the culmination of a lot of hard work we did over the first four years of the company. I like to think of them as “the first time we actually got paid to do what we love to do.” These videos are similar to many of the stories we got to tell for our nonprofit clients, but we got to do it with a healthy budget and nice production values.

Built in Slack: Another great intersection of cause-based work with a client’s agenda at the center of the story. We got to document several nonprofit grassroots movements that were using Slack to make an impact during the pandemic. I love telling these stories about changemakers.

Adobe – Jessica Chou Spotlight: I’ve always loved telling stories about artists. We’ve done this for many years pro bono. But this video is probably the first time we were hired by a brand to tell an artist’s story. Another example of the powerful documentary-style storytelling Slow Clap excels at.

Meet Slow Clap’s Post-Production and Camera Manager: Jake Richard

Get to know Jake a bit better with our quick Q&A interview.

Introduce yourself!

Hi! My name is Jake Richard. I grew up bouncing around from Southern California to the Bay Area and in between but decided to settle in the Bay. I have attended classes at the Academy of Art and City College of San Francisco.

What’s your role? What made you gravitate towards this craft?

I am the Post-Production and Camera Manager which means that I am responsible for all of the footage and projects we take on, making sure it is safely ingested on our systems and that it is prepped and ready for an editor to begin work. I also manage the company’s equipment making sure that it all remains in working order and is ready to use on the next shoot. I always had a love for filmmaking and wanted to get a deeper understanding of the full processes it takes to make something great. 

What’s your prior experience? What made you interested in joining Slow Clap?

I started at Slow Clap as a production assistant with no experience and did my best to work my way up. My main goal was to learn something new every day when I started to work here, and I couldn’t imagine where it has led me to today. My interest in Slow Clap was always how authentic and human the approach to storytelling was. 

Favorite Film? What am I watching?

It’s always so hard to pick a favorite film, but a couple of my favorites from childhood are Stanley Kubrick’s The Shining and John Carpenter’s The Thing. Currently, I am watching the Sopranos for the first time. 

Any Hobbies?

I am a fan of going to the movies and I try to stay up to date on the latest shows. I also enjoy relaxing with my friends and playing video games. Most of the time I can be found training in Brazilian Jiu-Jitsu in my off time. I have been doing it for almost 8 years and have recently received my brown belt.  

Lastly, favorite project you’ve worked on?

This is hard because I love all of our videos. Some of my favorite projects I have worked on are the Building the Future videos we did for Github which was one large scripted video and 3 doc-style videos. The scripted video was the first big production I had worked on, and the doc-style videos were all fun to travel and work for. Others include the Juror Orientation video which I think has the biggest audience (albeit a captive one) of any video I have worked on and Earl’s Story for Blue Shield which was one of the first projects I had worked on. Most recently, I am really proud of how the Freemark Abbey videos turned out for Jackson Family Wines which we have already won a few awards for. 

Video Trends Proven to Work for Your 2023 Marketing Strategy

At Slow Clap HQ, we’re (obviously) always trying to deliver the best content for our clients so that more audiences clap…more…slowly. But it’s deeper than that— we want to inspire viewers to act, whether that be sharing, subscribing, or signing up. In order to do that, we need to pay attention to more than just beauty shots and captivating storylines. We need to think strategy, we need to think trends— we need to be ahead of the curve.

And it’s quite a big curve to get ahead of. Video is, quite simply, exploding:

In 2022, 82% of all internet traffic was video downloads and streams.

Nearly 700,000 hours of video are streamed on Youtube each minute.

According to Vimeo, video is preferred by 80% of people over written text.

And despite the global economy taking a hit, 64% of marketers expect their video budgets to increase in 2023.

So here’s our two cents on what’s coming up in the industry and what to look out for:

BE A SHORT KING – Now this isn’t necessarily groundbreaking news that short videos can be more successful than longer ones. Maintaining audience engagement is one of the hardest things to do when making a video, so keeping a piece of content short and sweet can be instrumental in achieving it. As a video production company in San Francisco, we’ve known this for a long time and there are ever-more data to prove it:

Source: Hootsuite

Leveraging the power of short-form content is essential to any video marketing strategy. As long as it stays true to your brand, there’s no reason to shy away from it. It doesn’t have to be all about TikTok, but keeping your videos succinct and to the point will increase messaging and access to your audience.

It’s important to note, however, that this is not a blanket rule, and the length of a video should also be discussed in the context of the platform it’s going out on.

BE HUMAN –  In a nutshell, successful videos are informative but also relatable. A recent study conducted by the Content Marketing Institute found that half of the respondents create videos to raise brand awareness and nearly 40% said one of their primary goals was also to create a human connection. There are multiple ways to do this— you can use real employees or customers over hired talent or delve into the world of UGC (user-generated content):

Not only do user-generated videos provide more value in terms of authenticity, but they also drive higher engagement and are often a good way to save time and money.

STRATEGIZE THIS – Creating content is all well and good, but if you don’t have a strategy to lead it out into the stratosphere and support it while it’s there, then you might as well stand on a hill and watch it roll down. 

  • Setting a video strategy is essential to provide direction and focus for your videos. If you publish a video without a strategy, and it doesn’t get seen, that’s not the fault of the video—  it’s the fault of your strategy.
  • Put your money behind the videos.

And that’s it! Good luck with all your video marketing dreams for 2023.

Slow Clap’s 2022 Year in Review: A Bananas Year for Video Content

As the Slow Clap team gets ready for 2023 (wow, we never thought we’d make it but here we are), we took some time to reflect on 2022, the busiest, craziest, most fun year in our company’s eight year history of making videos. Take a look at our year condensed into one minute:


2022 by the Numbers

  • 58 video projects completed for our clients, from virtual event videos to commercials, explainers and educational videos
  • 29 clients, including cause-based non-profits like Public Advocates and Asian Law Caucus, startups like Lattice and Ironclad, and Fortune 500 companies like eBay
  • 10+ different cities filmed including Palm Beach, Dallas, Los Angeles, Riverside, Napa, Santa Barbara, Monterey, and (of course) San Francisco & Oakland 
  • 100+ videos delivered from long-form virtual event videos to 15 second social media videos
  • More than 500 minutes of video content produced
  • 5 million views (and counting)
  • 100% NPS (net promoter score) on Clutch
  • 9 Industry Awards


2022 by Month

January 2022

Our first assignment of the year got us out of the office, and into the water. We partnered with the Port of San Francisco, a longtime client of ours, to produce a video highlighting the fisherpeople of Fisherman’s Wharf, who recently started selling live crabs right off their boat. Tourists and locals alike really enjoyed gaining access to the “working Port,” and getting to talk directly to the folks that catch the crabs. It’s like an open air farmers’ market on the wharf.


February 2022

Our longtime client Ironclad tapped us for yet another virtual event production (the first of three in 2022). Last time we worked with them, we got to film at the Port of Oakland on a tugboat. We figured that was hard to beat. But we beat it in February by filming in a hundreds-year-old redwood forest in Marin. To capture the epic scale, we worked with a massive jib arm, and some heavy duty lighting. Always fun to pull out the big guns.


March 2022

Glide is one of the coolest clients you could think up. Their no-code platform lets anyone turn spreadsheets into mobile apps, whether or not you’ve ever seen a line of code. How cool is that?

We’ve been lucky enough to partner with them to tell their customer success stories for several years. This time around, we got to go big, featuring the PGA, who used Glide to develop apps for the Ryder Cup. We captured interviews at PGA’s Texas and Florida HQs, plus even got to film some product shots and reenactments at our Oakland studio. But most importantly, this customer story video is surprising and entertaining.

Our client at Glide said it best: Their team doesn’t create videos that are off the shelf. They create something that engages the viewer emotionally.


April 2022

We love partnering with our government clients like the San Francisco Treasurer. Telling stories of huge impact, like the Kindergarten to College (K2C) program’s success, gives us a chance to be part of something bigger, something that affects our community. The video we produced does just that, featuring stories of kids and parents who have taken advantage of the K2C program to save for college.


May 2022

After two years spent researching, writing, filming, and editing, in May we completed the new Juror Orientation video for the State of California. Our client had this to say about the collaboration: The team was adaptable, flexible, innovative, creative, and open to new ideas and solutions.

This educational video is seen by nine million jurors a year, and is used as the primary tool to make sure we have an educated jury of our peers. The video has a shelf life of ten to twenty years. At 100+ million views, that’s blockbuster status baby!

We were also excited to simultaneously launch a documentary about the history of Jury Service as a companion piece to the orientation video. We had the amazing challenge of condensing several hundred years of history into ten minutes, and we got to learn how essential juries are to a healthy democracy.


June 2022

Another huge production challenge landed in our laps with Ironclad’s summer virtual event video. Ironclad has always been thinking outside the box for virtual events, but this was on a whole nother level. The theme was 80’s high school in the style of John Hughes films like Breakfast Club and 16 Candles. So we scoured thrift stores and local area high schools to put together an authentic expression of this fun theme. We rented a high school that hasn’t been updated since the 70’s, put together a classic gymnasium school dance scene, rented a 1980’s Porsche, and so much more. Our production design team had a blast with the 80’s period pieces. There’s enough in there to watch this video 10 times before you catch all the easter eggs.


July 2022

We celebrated Slow Clap’s eight year birthday party in a big way at the Alice Collective in downtown Oakland. We’ve celebrated every Slow Clap birthday with a party, inviting our clients, our team, our collaborators, and their loved ones to celebrate another year of amazing video projects, and connect over some banging food and drink. 2022 was no exception.


August 2022

In August, Katy Bailes joined the team as a producer, to help lead our increasingly complex and large body of work. Katy came from the Economist’s documentary films division before joining Slow Clap, and brings her top notch storytelling skills and can-do attitude to all our projects. She’s been a huge asset to the team, and to our clients, in the short time she’s been here.

We also added Keely Liles to the team as a camera and post-production assistant. Keely brings her fresh ideas and fun personality to all of our projects.


September 2022

The Slow Clap team tackled a new challenge in 2022, partnering with San Francisco Bay Area regional retail chain Beck’s Shoes to create a brand story video about their unique approach to retail. Shoe cinematography is unlike any other challenge. These are fashion items that move at ground level. But of course, the most important thing is the look on a customer’s face when they find that perfect fit, which is right up our alley.


October 2022

We always reserve a portion of our calendars to partner with cause-based organizations, offering below market rates. This year, we partnered with Public Advocates, one of the first public interest law firms in America, to produce this short documentary about their 50 year history. We worked with the folks at PA for the entire year to go through decades of archival material and film several new interviews. In the end, we produced a brand film that shows how Public Advocates “makes rights real.”


In addition, after three years of development and pandemic delays, we finished a five-part documentary brand film series for the iconic Napa Valley winery Freemark Abbey. From being founded by a woman in the 1880’s, to winning top prizes at the Judgement of Paris, Freemark Abbey has been redefining what great is since its founding. It was fascinating and exciting to get to be the team to bring this story to life.


November 2022

Another one of our cause-based clients is Asian Law Caucus, who we’ve been partnering with for eight years. In fact, they were our very first client!


This year, we helped them celebrate their 50th anniversary by producing several videos. Our favorite among them was this moving montage featuring several of the best interviews we’ve captured with ALC clients over the years.

December 2022

We’re used to being behind the camera, but in December, the whole team got to try something totally different: we turned the camera around, and starred in the Slow Clap holiday card video. It was a blast, and an opportunity for the team to poke fun at me, in the style of The Office.

To put a cherry on top of the year, we scored some major wins, taking home top awards at: Clutch (Top 1000 B2B Companies), the John Barleycorn Awards (Double Gold and Top Marketer of 2022), the Telly Awards (Gold in Branded Content), the MarCom Awards (Platinum in Corporate Image Video), and the Corporate Content Awards (Best Content in a Live Setting).

We’re looking forward to another great year of partnerships and challenges in 2023.

Dan Lichtenberg
Founder and Creative Director
Slow Clap

Slow Clap Announced as a 2022 Local Excellence Award Winner by UpCity

UpCity spotlights the most trustworthy of over 70,000 B2B service providers. For Slow Clap to win the UpCity Local Excellence Award again in 2022 is really exciting for us. Slow Clap is also a listed and trusted vendor on review sites like Clutch, 50Pros.com, and Design Rush. We love helping our clients tell their authentic stories. 

Here are a couple of things our clients had to say about our partnership in our UpCity reviews:

“Dan and the Slow Clap crew were very professional, conscientious, and worked very hard to deliver a great production under budget and on time. They had to work with some difficult restrictions and they smiled through every adversity. I would highly recommend them.”

Mark Hornung, Employer Brand Consultant

“As someone who has personally worked with Slow Clap during the filming and editing process, they are wonderful to work with. Slow Clap are not just filmmakers, but advocates and storytellers as well. They are invested in helping you tell the best story.”

Casey Tran, Asian Law Caucus

Thanks to all our clients who have chosen us to help tell their stories. It’s your support that has made this award possible and helps us evolve as storytellers. Can’t wait to see you on our next project!

If you or someone you know is interested in making a video, let us know! We’d love to share our knowledge and help you get started. Share your ideas with us here.

What is the Multi-Hazard Risk Assessment?

In 2018, the City & County of San Francisco passed a proposition to reinforce the Seawall, a barrier that protects the City’s waterfront from flooding. The Seawall is over 100 years old and is in desperate need of reinforcements to protect from earthquake and sea-level rise. As part of the project, Slow Clap was selected by the Port of San Francisco to produce videos on an as-needed basis.

Phase one of the Seawall was to conduct a series of tests to diagnose all the problems with the Seawall. This complex, wonky undertaking had to be explained in a simple, digestible format so that residents could stay informed about and proud of the foundational research that will eventually guide the multi-billion dollar project.

“We were really proud to have been selected by the Port of San Francisco to create video for the Seawall project, which will leave an impact on our city for generations to come.” – Daniel Lichtenberg, Creative Director, Slow Clap

Execution & Challenges

The Port collaborated with Slow Clap and communications firm Civic Edge to condense the Multi-Hazard Risk Assessment (MHRA) studies into a simple, easy to understand, short, animated video. These tests include laser measurements, drilling, seismic monitoring, traffic flow studies, and many other components. So, the challenge was to find the best way to condense all this info into something that San Francisco Bay Area residents would find welcoming and informative, instead of overwhelming.

“Through this work, I’ve learned about drilling techniques, data collection, and structures for taking care of our water system and sea. It was such a cool challenge to create these illustrations and help promote public understanding of such an exciting environmental initiative.” Rose Tully, Graphic Illustrator, Slow Clap

Results

Slow Clap worked closely with the Port to identify the best way to visualize each concept in the MHRA. We chose to hand illustrate the whole video, in a style that is somewhere between a whiteboard infographic style, and a cartoon style. We felt it was the perfect balance to strike a tone that felt both official and educational, but also friendly and accessible. Our voice-over talent, a warm, welcoming voice, was chosen for similar reasons. The illustrated scenes were animated as though they had been hand-drawn onto the screen, to inject an extra sense of fun and curiosity.

The result is a short, accessible, engaging video that has several thousand views across the Port’s various social media platforms, and has been used at every community engagement event about the Seawall since its release.

“The Port of San Francisco loved the final video. They felt that the video captured the technical assessments conducted in a fun, visually engaging manner. It was even useful for other Port staff to learn more about the MHRA.” – Tira Okamoto, Civic Edge

What is the Multi-Hazard Risk Assessment?

San Francisco Public Utilities Commission: Community Benefits Outreach

Slow Clap has fostered a relationship with the San Francisco Public Utilities Commission (SFPUC) and D&A Communications over the past five years, developing and producing video stories that highlight the SFPUC’s work to live up to its Environmental Justice and Community Benefits policies and good neighbor programs. As part of ongoing communications about this work, the SFPUC came to us to tell two community members’ stories, Misty Mckinney and Sonia Davis. Misty, one of the SFPUC’s Citizens’ Advisory Committee (CAC) members, works with the agency to design, implement, and evaluate policies that impact communities. Born in the Philippines, Misty has a strong background in environmental justice and cares deeply about diversity, equity, and inclusion.

“This is one of those projects that reminds me why I love documentary-style video content so much. It was amazing to get to spend a day with Misty and her family, meet and hang out with her son Turtle, and learn about their story.” – Daniel Lichtenberg, Creative Director, Slow Clap

Approach

Our goal was to highlight Misty’s environmental advocacy and her role as a CAC member while educating viewers about the SFPUC’s community and capital investments. The key was to communicate all these important messages, while also humanizing Misty’s story.

Execution

To accomplish this, we told her story through the lens of family, and how when she was growing up in the Philippines, access to clean water was viewed as a privilege. But for her son Turtle and for her community, Misty wants to ensure clean water is a right for all. Although we had just one day to film interviews, we were able to capture several activities that told the rich picture of Misty’s life with her family.

“Dan and the team at Slow Clap always make sure to focus on the authentic story in their videos. That’s why our collaborations have been so successful.” – Darolyn Davis, D&A Communications

Results

Misty’s story takes us for a “day in her life.” We learn not only about her responsibilities as the Environmental Justice Chair on the SFPUC’s CAC but also about her family’s participation in SFPUC programs. Through her story, we learn about the agency’s Adopt-A-Drain, Drink Tap, and CleanPowerSF Programs while getting a sense of how rewarding it is to take part in these initiatives. All the while, we made sure to feature the most important thing of all: Misty’s strong bond with her family, and how the SFPUC keeps them healthy, happy, and engaged local citizens. With her video, we told a holistic, human-driven story as best we could and it paid off. Misty’s story is one of the most viewed videos on the SFPUC’s social media channels, with several thousand views. We also created several shorter versions of the video for social media, and with Spanish, Chinese, and Tagalog translations for San Francisco’s diverse audiences.

Misty, Eli, & Turtle: Our San Francisco Neighbors

Sonia’s CityWorks Internship Story

Best Practices for Filming at Home: A Slow Clap Brainstorm

As we continue to navigate our “new normal” during the COVID-19 pandemic, the Slow Clap team met up for another brainstorming session to discuss how to film content at home. Whether video conferencing on Zoom, Teams, WebEx, Google Meet, or any other platform, we discuss some of the best practices for filming at home, and how to make your user-generated content look great. We cover lighting, framing, recording tools, audio and microphones, as well as editing it all together. Check out the session below.



If you have any questions about what we discussed contact us here.

Video Content In Quarantine: A Slow Clap Brainstorm

The days are blending together, but we’re still pushing our brains to the limits. As we continue to navigate the public health crisis, our team decided to get together (virtually, of course) to discuss the various forms of marketing videos our partners can produce remotely. Check out our brainstorm session:


Want to make a remote video? Reach out.